1 00:00:08,908 --> 00:00:12,212 (música electrònica) 2 00:00:34,467 --> 00:00:39,439 {\an7}(dog barking and sirens in the distance) 3 00:00:39,472 --> 00:00:41,474 {\an8}- Glail! - Sí. 4 00:00:41,507 --> 00:00:42,542 {\an8}- You got the detonators? 5 00:00:42,575 --> 00:00:45,245 {\an8}- Hell, yeah! - Bé. 6 00:00:46,278 --> 00:00:47,346 {\an8}Alright. 7 00:00:47,379 --> 00:00:50,116 {\an8}The truck should roll in any minute. 8 00:00:50,149 --> 00:00:52,518 {\an9}We'll wait for the drivers to leave, and then... 9 00:00:52,551 --> 00:00:54,687 {\an7}- Bang! We blow the door off that mother. 10 00:00:54,720 --> 00:00:58,324 {\an9}- And a whole big-ass payload of chemicals is ours for the taking. 11 00:00:58,357 --> 00:01:01,494 {\an7}- Uh-huh. We gonna use those chemicals to manufacture Schnootzy. 12 00:01:01,527 --> 00:01:03,262 {\an9}- The most powerful drug available. 13 00:01:03,295 --> 00:01:06,132 {\an7}- Hm! - Makes meth and bath salts seem like artificial sweetener! 14 00:01:06,165 --> 00:01:10,336 {\an7}- Ha! Ha! Yeah, I just hope... we don't have to use this. 15 00:01:10,369 --> 00:01:11,771 {\an8}- Oh, the gun? -Uh-huh. 16 00:01:11,804 --> 00:01:13,139 {\an8}- For sure. 17 00:01:13,606 --> 00:01:16,476 {\an9}But we will if we have to. We're criminal-- 18 00:01:16,876 --> 00:01:18,578 {\an8}We're criminals. 19 00:01:20,146 --> 00:01:21,314 {\an8}- Yeah... 20 00:01:21,347 --> 00:01:24,117 (uptempo music plays) 21 00:01:51,277 --> 00:01:53,746 {\an8}(dog barking in the distance) 22 00:01:53,779 --> 00:01:57,317 {\an9}- ...but we will if we have to. We're criminals. 23 00:01:57,783 --> 00:02:01,220 {\an7}- Yeah... Uh, Charlotta? - What is it, Glail? 24 00:02:01,253 --> 00:02:03,356 {\an7}- W-why are we saying this to each other? 25 00:02:03,756 --> 00:02:04,524 {\an8}- What? 26 00:02:04,557 --> 00:02:06,592 {\an7}- Why are we telling each other this? 27 00:02:06,625 --> 00:02:08,728 {\an7}I mean, we know who we are. We know why we're here. 28 00:02:08,761 --> 00:02:09,862 {\an8}Why are we talking about it? 29 00:02:09,895 --> 00:02:11,898 {\an8}- We're talking about how... 30 00:02:11,931 --> 00:02:14,233 {\an9}we're criminals, and we're about to steal some chemicals 31 00:02:14,266 --> 00:02:16,369 {\an9}to make Schnootzy, the drug that's worse than meth. 32 00:02:16,402 --> 00:02:19,139 {\an7}- Yeah... You're doing it ara mateix. 33 00:02:19,939 --> 00:02:22,275 {\an7}- I'm doing what? Què dimonis are you talking about? 34 00:02:22,808 --> 00:02:24,343 {\an8}Oh! Saps què? 35 00:02:24,376 --> 00:02:26,679 {\an9}You're probably still wasted from last night. 36 00:02:26,712 --> 00:02:28,681 {\an7}- Oh! Sí! - Come on, help me wire these detonators. 37 00:02:28,714 --> 00:02:32,519 {\an8}- Ha! Sí! Charlotta, what happened last night? 38 00:02:33,586 --> 00:02:34,654 {\an9}- What? 39 00:02:34,687 --> 00:02:36,589 {\an7}- Last night. Vas dir I'm probably still messed up 40 00:02:36,622 --> 00:02:37,623 {\an7}from last night. 41 00:02:37,656 --> 00:02:39,425 {\an8}Wh-what did we do last night? 42 00:02:39,458 --> 00:02:43,896 {\an8}- Partying! Drugs! Drogas! You know! 43 00:02:43,929 --> 00:02:45,464 {\an9}We're criminals, girl, come on! 44 00:02:45,497 --> 00:02:46,532 {\an7}- Yeah! 45 00:02:46,565 --> 00:02:49,936 {\an9}- We pull so many crimes, and give so little shit, 46 00:02:49,969 --> 00:02:52,438 {\an9}that we get totally sh-wasted the night before, dude. 47 00:02:52,471 --> 00:02:55,708 {\an8}We don't give a shit! - Yeah, yeah, yeah! But what specifically? 48 00:02:55,741 --> 00:02:57,844 {\an8}What specifically did we do? 49 00:02:59,745 --> 00:03:02,648 {\an9}- I don't even remember, to be honest, 'cause, you know... 50 00:03:02,681 --> 00:03:06,886 {\an9}But probably Schnootzy though, because... we really love that shit. 51 00:03:06,919 --> 00:03:11,591 {\an9}And it gets you so messed up, it's better than meth in my opinion. Ho és. 52 00:03:11,624 --> 00:03:14,260 {\an7}- Yeah. Sí, but you're guessing? 53 00:03:15,628 --> 00:03:18,932 undefined undefined undefined 54 00:03:19,765 --> 00:03:23,269 undefined undefined 55 00:03:23,302 --> 00:03:25,405 undefined undefined 56 00:03:25,838 --> 00:03:27,506 undefined 57 00:03:27,539 --> 00:03:29,375 undefined undefined 58 00:03:29,408 --> 00:03:31,544 undefined 59 00:03:31,577 --> 00:03:34,981 undefined undefined 60 00:03:35,014 --> 00:03:37,783 undefined undefined 61 00:03:37,816 --> 00:03:41,787 undefined undefined some dude's names are! 62 00:03:41,820 --> 00:03:45,391 - No, Charlotta, I'm serious. Tell me some of their names. 63 00:03:45,424 --> 00:03:50,263 {\an7} - There was Sammy. But... Sammi with an "i". 64 00:03:50,296 --> 00:03:51,530 {\an8} - Who else? 65 00:03:51,563 --> 00:03:53,733 {\an8}- Timmy. - Hm... 66 00:03:53,766 --> 00:03:56,269 {\an8} - But there was a "y" where the "I" was supposed to be, 67 00:03:56,302 --> 00:03:57,870 {\an7} and an "i" where the "y" was supposed to be. 68 00:03:57,903 --> 00:04:00,373 {\an7}- Hm. - Oh! He was the hottest one of all. 69 00:04:00,406 --> 00:04:03,009 {\an1}- Yeah! Good ol' Sammi and Tymmi. 70 00:04:03,042 --> 00:04:06,812 That's real generic, Charlotta. Real generic names, Charlotta! 71 00:04:06,845 --> 00:04:10,816 {\an1}- Oh, come on, Glail! You're shaking me while I'm holding powerful-ass explosives? 72 00:04:10,849 --> 00:04:13,820 Dumbass! - I'm sorry. 73 00:04:14,586 --> 00:04:17,390 - But I mean, you saw it, right, like, as I was describing it? 74 00:04:17,423 --> 00:04:19,058 In your mind's eye. Ja ho saps. 75 00:04:19,091 --> 00:04:22,595 {\an1}- I mean, it was real shadowy and unspecific. 76 00:04:22,628 --> 00:04:24,997 {\an3}- Oh, well, I'm sorry that my memory doesn't have the budget 77 00:04:25,030 --> 00:04:26,999 {\an3}to shoot a killer party scene for you. 78 00:04:27,032 --> 00:04:31,304 {\an1}- Què?! You just said your memory doesn't have the budget! 79 00:04:31,337 --> 00:04:32,872 - Okay, shut the hell up, Glail! 80 00:04:32,905 --> 00:04:34,674 {\an3}Help me wire these goddamn explosives! 81 00:04:34,707 --> 00:04:35,842 {\an1}- Look at your hands. 82 00:04:35,875 --> 00:04:38,344 You're just moving your hands around with chords in them. 83 00:04:38,377 --> 00:04:39,478 You're not doing anything! 84 00:04:39,511 --> 00:04:40,780 {\an1}You don't even know how to do it! 85 00:04:40,813 --> 00:04:42,715 {\an3}- Glail, I know how to wire explosives. 86 00:04:42,748 --> 00:04:43,883 - This... 87 00:04:44,550 --> 00:04:45,818 ...is bullshit. 88 00:04:45,851 --> 00:04:47,553 - That's enough! 89 00:04:47,586 --> 00:04:50,323 {\an3}Get your shit together, Glail! 90 00:04:52,124 --> 00:04:53,426 Què dimonis? 91 00:04:53,459 --> 00:04:55,695 {\an1}- See? You didn't even make contact. 92 00:04:55,728 --> 00:04:57,063 - Wh-- I mean... 93 00:04:57,096 --> 00:04:58,998 {\an3}Well, I h-- I heard the sounds though. 94 00:04:59,031 --> 00:05:01,367 {\an1}- The sound came from somewhere else. 95 00:05:02,468 --> 00:05:05,705 {\an3}- No, no, no, no, no. No. This is crazy. No. No. 96 00:05:05,738 --> 00:05:07,707 {\an1}- You know what's even crazier? - Què? 97 00:05:07,740 --> 00:05:08,974 {\an1}- I feel like walking over there. 98 00:05:09,007 --> 00:05:11,610 - Oh, w-w-where? On? 99 00:05:11,643 --> 00:05:14,013 - Past where I feel like we supposed to be walking. 100 00:05:14,046 --> 00:05:16,782 {\an1}- Yo... No, no, no. - I'm scared. 101 00:05:16,815 --> 00:05:18,984 {\an1}- Glail, don't do it. - Just one foot in front of the other. 102 00:05:19,017 --> 00:05:20,453 {\an1}You just got to keep moving. - Glail! 103 00:05:20,486 --> 00:05:21,721 Aneu amb compte! 104 00:05:21,754 --> 00:05:26,359 {\an1}- Ha! On sóc? 105 00:05:27,393 --> 00:05:28,695 {\an1}- What the hell? 106 00:05:30,163 --> 00:05:33,699 {\an1}What is this? - It's a table with, uh... coffee and doughnuts, and... 107 00:05:33,732 --> 00:05:36,602 {\an1}oh my lord, they have jicama. - They have jicama? 108 00:05:36,635 --> 00:05:38,004 {\an3}- Do you think we can take these? 109 00:05:38,670 --> 00:05:40,673 {\an1}- I mean, I feel like it's for us. 110 00:05:41,707 --> 00:05:42,709 - Mira! 111 00:05:44,610 --> 00:05:46,545 - Holy shit, Glail, it's us! 112 00:05:46,578 --> 00:05:49,715 {\an1}- Charlotta, we're on a TV show. - And it's the... 113 00:05:49,748 --> 00:05:51,817 (both): ...series finale! 114 00:05:51,850 --> 00:05:54,087 {\an3}- Well, that sounds like the end. 115 00:05:55,754 --> 00:05:57,123 - Oh hey! - Ah!! 116 00:05:57,156 --> 00:05:58,958 (overlapping yelling) 117 00:05:59,958 --> 00:06:02,928 - Hey, I'm Mario, from Tender Pipes. 118 00:06:02,961 --> 00:06:05,965 {\an1}I can fix any plumbing problem your house has. 119 00:06:05,998 --> 00:06:09,369 {\an1}For instance, if your drains are clogged. 120 00:06:10,169 --> 00:06:13,739 {\an1}Ha! Ha! If you got pipes that need scrappin', 121 00:06:13,772 --> 00:06:15,441 I'm your guy. 122 00:06:15,474 --> 00:06:17,877 I can do anything your house needs. 123 00:06:17,910 --> 00:06:20,880 {\an1}I got all the tools necessary for the job. 124 00:06:20,913 --> 00:06:23,616 {\an7}You got a broken down toilet? Cap problema. 125 00:06:23,649 --> 00:06:26,519 {\an7}Your whole house is flooding? Et tinc. 126 00:06:26,552 --> 00:06:30,890 {\an7}Just call the number on the bottom of the screen, ask for Mario! 127 00:06:30,923 --> 00:06:34,026 {\an7}I'll fix your house! Ha! Ha! 128 00:06:34,593 --> 00:06:37,897 {\an1}(narrator 1): Now with a new location, serving East Irmingblam. 129 00:06:38,797 --> 00:06:41,033 (música electrònica) 130 00:06:41,066 --> 00:06:44,603 (scream-singing): ♪ Drink PEJ ♪ 131 00:06:44,636 --> 00:06:47,573 ♪ You're the man get the girl ♪ 132 00:06:47,606 --> 00:06:50,543 ♪ Drink PEJ ♪ 133 00:06:50,576 --> 00:06:55,515 {\an1}♪ Drink PEJ PEJ PEJ PEJ ♪ ♪ Drink PEJ ♪ 134 00:06:56,982 --> 00:06:59,718 ♪ Yeah PEJ ♪ 135 00:06:59,751 --> 00:07:03,456 ♪ Drink PEJ ♪ 136 00:07:03,489 --> 00:07:05,725 {\an1}(narrator 2): Sponsored by Negari Labs. 137 00:07:06,258 --> 00:07:09,628 {\an1}(narrator 3): Nobody asked for it? You got it. 138 00:07:09,661 --> 00:07:12,598 {\an1} The complete collection of Hobo Railroad Project. 139 00:07:12,631 --> 00:07:17,036 {\an1} All 19 songs, including: undefined 140 00:07:17,069 --> 00:07:20,706 undefined undefined 141 00:07:20,739 --> 00:07:22,007 undefined 142 00:07:22,040 --> 00:07:27,046 undefined undefined 143 00:07:27,079 --> 00:07:28,914 undefined 144 00:07:28,947 --> 00:07:33,919 undefined undefined 145 00:07:33,952 --> 00:07:37,056 undefined undefined 146 00:07:37,089 --> 00:07:40,826 undefined undefined 147 00:07:40,859 --> 00:07:44,163 undefined undefined undefined 148 00:07:44,196 --> 00:07:46,098 undefined undefined 149 00:07:46,131 --> 00:07:47,867 Then this collection will walk you through 150 00:07:47,900 --> 00:07:51,136 {\an1} all of your limited, shallow emotions. So, buy now! 151 00:07:51,169 --> 00:07:53,205 (cridant) 152 00:07:53,238 --> 00:07:54,640 {\an7}- Wait! Què dimonis just happened? 153 00:07:54,673 --> 00:07:58,611 {\an9}- We faded to commercial. Charlotta, do you know what this means? 154 00:07:58,644 --> 00:08:00,279 {\an7}- Not exactly, but I want a PEJ. 155 00:08:00,312 --> 00:08:03,816 {\an9}- It means that we're characters in a TV show. 156 00:08:03,849 --> 00:08:08,053 {\an3}This is the series finale, which means, in about 20 minutes, we no longer exist! 157 00:08:08,086 --> 00:08:11,757 {\an1}- Oh, my God, Glail... Vull viure. - I want to live too. 158 00:08:11,790 --> 00:08:14,627 {\an1}- I mean, maybe if we figure out what kind of fucking show we're on, 159 00:08:14,660 --> 00:08:16,295 {\an1}bé, ho podem esbrinar how to keep it going. 160 00:08:16,328 --> 00:08:18,864 {\an3}- Vas dir "fot", així que ho sóc pensant que és un cable premium. 161 00:08:18,897 --> 00:08:20,966 {\an1}- Oh, merda, està bé. - Why is that good? 162 00:08:20,999 --> 00:08:22,968 {\an1}- Només artísticament. No ajuda la nostra situació. 163 00:08:23,001 --> 00:08:24,670 {\an3}- You know, let's think this through. 164 00:08:24,703 --> 00:08:26,171 What can we control? 165 00:08:26,204 --> 00:08:28,140 Uh, I woke up this morning, 166 00:08:28,173 --> 00:08:31,644 Vaig anar a conèixer en Palph al storeroom to get explosives... 167 00:08:31,677 --> 00:08:33,679 {\an1}Uh... - What the hell is this on our faces? 168 00:08:33,712 --> 00:08:35,681 {\an3}- I-I don't know. Uh, I came to meet you. 169 00:08:35,714 --> 00:08:38,150 {\an1}And then, I, uh... - It's a map! 170 00:08:38,951 --> 00:08:41,120 It shows where you went. It's for the audience. 171 00:08:41,153 --> 00:08:43,756 {\an1}- Oh. - Try this. Say something that didn't happen. 172 00:08:43,789 --> 00:08:46,592 - D'acord. I went to the candy store. 173 00:08:47,225 --> 00:08:48,727 {\an1}- I això no va passar. - No. 174 00:08:48,760 --> 00:08:50,395 - Si el que dius és cert, 175 00:08:50,429 --> 00:08:55,100 {\an1}en realitat, no ho vas fer qualsevol cosa perquè només existim in 30-minute increments. 176 00:08:55,133 --> 00:08:58,037 {\an1}- Crec que realment existim in our increments, 'cause this feels like a drama. 177 00:08:58,070 --> 00:09:00,306 - Oh really? vaig pensar it was kind of funny. 178 00:09:00,339 --> 00:09:01,507 {\an1}- Hasn't made me chuckle. 179 00:09:01,540 --> 00:09:05,611 - D'acord. If you said you went to the candy store, but didn't, 180 00:09:05,644 --> 00:09:07,846 {\an1}yet it still shows up on the map, 181 00:09:07,879 --> 00:09:09,848 that means that we still have some control over our past. 182 00:09:09,881 --> 00:09:12,651 {\an3}- And by extension, el nostre futur. Look! 183 00:09:12,684 --> 00:09:13,719 - Candy! - Ah! 184 00:09:13,752 --> 00:09:14,954 - Okay, okay! 185 00:09:15,153 --> 00:09:18,123 {\an1}I woke up, I went to get some coffee, 186 00:09:18,156 --> 00:09:19,892 and then, I went to the dress shop, 187 00:09:19,925 --> 00:09:22,094 {\an1}I bought a gown and... I left wearing it. 188 00:09:22,127 --> 00:09:23,295 (cridant) 189 00:09:23,328 --> 00:09:26,098 - Holy shit! I want a gown too! 190 00:09:26,131 --> 00:09:28,834 {\an1}També vaig anar a la botiga de vestits. (jadeant) 191 00:09:28,867 --> 00:09:30,703 {\an1}- Oh, my God! Bonic! Who you wearing? 192 00:09:30,736 --> 00:09:32,705 - Alexander McQueen, and you? 193 00:09:32,738 --> 00:09:34,640 - Zero Cornelius! (riu) 194 00:09:34,673 --> 00:09:38,143 {\an3}- Uh, I also went to the jewellery store! Ah! Ha! Ha! 195 00:09:38,176 --> 00:09:39,878 {\an1}- Ja n'hi ha prou amb el vestit. Saps què vull dir? 196 00:09:39,911 --> 00:09:41,346 {\an1}- Okay. (Charlotta sighing) 197 00:09:41,379 --> 00:09:44,083 {\an1}Okay, now I'm done. - D'acord, bé, saps què this means, right? 198 00:09:44,116 --> 00:09:45,051 - Què? 199 00:09:45,084 --> 00:09:48,053 {\an1}- We can control it. We can control our lives! 200 00:09:48,086 --> 00:09:50,823 {\an1}- It means we have free will! (both chanting): We have free will, we have free will! 201 00:09:50,856 --> 00:09:52,291 {\an1}- It's kind of hard to jump in these heels. 202 00:09:52,324 --> 00:09:54,126 {\an1}- Yeah, I'm kind of over this outfit. (snapping fingers) 203 00:09:54,159 --> 00:09:56,362 {\an3}- Okay, the important thing is, we have free will. 204 00:09:56,395 --> 00:09:58,330 So now, we just have to-- (deep voice): No, we don't. 205 00:09:58,363 --> 00:09:59,932 - Wait, what? Per què no? 206 00:09:59,965 --> 00:10:01,233 {\an1}(deep voice): Because I say we don't. 207 00:10:01,266 --> 00:10:03,702 {\an3}- Charlotta, why would you say that? 208 00:10:03,735 --> 00:10:06,205 - Oh, it's not Charlotta, it's me, Charlie Sanders, the creator of the show. 209 00:10:06,238 --> 00:10:07,306 I'm the one writing this. 210 00:10:07,339 --> 00:10:09,308 {\an3}- Okay, if you're "Charlie", the creator of the show 211 00:10:09,341 --> 00:10:11,810 {\an3}and you're speaking through Charlotta, where are you right now? 212 00:10:11,843 --> 00:10:13,812 - Uh, I'm in an airplane over the Pacific Ocean. 213 00:10:13,845 --> 00:10:14,913 {\an1}I'm going to Bangkok! 214 00:10:14,946 --> 00:10:17,182 {\an1}- Shit, seriously? - Yeah, my brother lives there. 215 00:10:17,215 --> 00:10:19,051 I-I'm doing - I'm working on the script on the plane. 216 00:10:19,084 --> 00:10:23,389 - D'acord. Uh, how old are you? - Thirty-six. Thirty-eight. 217 00:10:23,422 --> 00:10:25,257 {\an1}Took me a couple years undefined 218 00:10:25,290 --> 00:10:27,793 undefined undefined 219 00:10:27,826 --> 00:10:30,162 undefined undefined 220 00:10:30,195 --> 00:10:31,797 undefined 221 00:10:32,764 --> 00:10:35,234 undefined undefined 222 00:10:35,267 --> 00:10:39,038 undefined undefined undefined 223 00:10:39,071 --> 00:10:41,040 undefined undefined 224 00:10:41,073 --> 00:10:42,341 undefined 225 00:10:42,841 --> 00:10:45,210 undefined undefined 226 00:10:45,243 --> 00:10:47,212 undefined undefined 227 00:10:47,245 --> 00:10:49,915 undefined Ahh! Where was I? 228 00:10:49,948 --> 00:10:52,317 {\an3}- You were nowhere. The creator of the show took over your body. 229 00:10:52,350 --> 00:10:53,886 We gotta get out of this show. 230 00:10:53,919 --> 00:10:56,321 {\an1}- Oh, no, there's another ad break coming. - No! 231 00:10:56,354 --> 00:10:58,290 {\an1}- Oh, no, no. - Saps què? We been here before. 232 00:10:58,323 --> 00:10:59,792 {\an1}I'm not bothered at all. - Ah, alright. 233 00:11:01,093 --> 00:11:03,696 {\an1}(narrator 4): Do you crave adventure? 234 00:11:03,729 --> 00:11:07,032 Enjoy wine from Whisper Two-Vines. 235 00:11:07,065 --> 00:11:09,468 Or skiing in the moonlight? 236 00:11:09,501 --> 00:11:13,305 {\an1} Or doing any water activity you want at any time? 237 00:11:13,338 --> 00:11:15,340 Then, visit Irmingblam. 238 00:11:15,373 --> 00:11:19,478 {\an1} You're gonna love it because unlike what certain people tell you... 239 00:11:19,511 --> 00:11:20,913 - Tan humit. 240 00:11:20,946 --> 00:11:24,016 {\an7} - Irmingblam is great this time of year! 241 00:11:27,786 --> 00:11:29,689 (woman chuckling softly) 242 00:11:31,456 --> 00:11:33,024 - How did I get here? 243 00:11:33,058 --> 00:11:36,361 {\an1}(narrator 5): Hi, do you enjoy going Above the line on the weekends 244 00:11:36,394 --> 00:11:37,629 to spend a little time? 245 00:11:37,662 --> 00:11:41,033 {\an1} Do you enjoy making new friends by having them walk by you? 246 00:11:41,066 --> 00:11:43,902 {\an1} Do you enjoy the breeze? I know I do. 247 00:11:43,935 --> 00:11:45,637 undefined 248 00:11:45,670 --> 00:11:49,108 undefined undefined undefined 249 00:11:49,141 --> 00:11:52,878 undefined undefined undefined 250 00:11:52,911 --> 00:11:54,513 undefined 251 00:11:54,546 --> 00:11:57,883 undefined undefined undefined 252 00:11:57,916 --> 00:11:58,851 undefined 253 00:11:58,884 --> 00:12:00,319 undefined 254 00:12:00,352 --> 00:12:02,421 undefined undefined 255 00:12:03,155 --> 00:12:05,491 undefined undefined 256 00:12:05,524 --> 00:12:10,162 undefined undefined undefined 257 00:12:10,896 --> 00:12:14,767 undefined undefined 258 00:12:14,800 --> 00:12:19,037 undefined undefined 259 00:12:19,070 --> 00:12:21,507 undefined 260 00:12:22,507 --> 00:12:25,010 undefined 261 00:12:25,043 --> 00:12:28,814 undefined undefined 262 00:12:29,948 --> 00:12:34,286 undefined undefined 263 00:12:35,353 --> 00:12:39,291 undefined undefined 264 00:12:40,158 --> 00:12:42,528 undefined 265 00:12:43,495 --> 00:12:48,367 undefined undefined 266 00:12:49,534 --> 00:12:53,305 undefined undefined 267 00:12:54,239 --> 00:12:56,342 undefined 268 00:12:57,175 --> 00:13:01,213 undefined undefined undefined 269 00:13:01,880 --> 00:13:06,285 undefined undefined undefined 270 00:13:06,318 --> 00:13:08,554 undefined undefined 271 00:13:08,587 --> 00:13:11,190 undefined 272 00:13:11,223 --> 00:13:13,992 undefined undefined 273 00:13:14,025 --> 00:13:15,327 undefined 274 00:13:15,360 --> 00:13:17,162 undefined 275 00:13:17,195 --> 00:13:18,363 undefined 276 00:13:18,396 --> 00:13:21,967 {\an7} Below: Glail andamp; Charlotta. ♪ Tonight ♪ 277 00:13:22,000 --> 00:13:24,069 (both): No... (Glail): Ah! 278 00:13:24,102 --> 00:13:26,305 {\an1}Who do we have to (bleep!) to get off this show? 279 00:13:26,338 --> 00:13:27,973 {\an3}- Glail, there is no getting off the show. 280 00:13:28,007 --> 00:13:31,610 {\an1}The show is all there is. - That is not the case, 'cause I spoke to the creator, 281 00:13:31,643 --> 00:13:34,479 {\an1}and he was on a plane and sitting at a desk somewhere in this other world. 282 00:13:34,512 --> 00:13:36,949 {\an3}- So there might be another world, but we'll never get to it. 283 00:13:37,282 --> 00:13:39,284 វិសុទ្ធ! 284 00:13:39,317 --> 00:13:42,321 {\an1}- This is it! This is the set of the show we're on! 285 00:13:42,354 --> 00:13:43,589 - Look, it's a camera. 286 00:13:43,622 --> 00:13:45,557 {\an1}- These are those weird, high, folding chairs 287 00:13:45,590 --> 00:13:47,492 {\an1}everybody sits in. - Why are they always these chairs? 288 00:13:47,525 --> 00:13:48,561 - No ho sé. 289 00:13:49,261 --> 00:13:50,896 {\an1}- But Glail, there are no people. 290 00:13:51,429 --> 00:13:54,199 {\an3}- Who's steering the ship? We're all alone? 291 00:13:54,232 --> 00:13:55,500 (alarm ringing) 292 00:13:55,533 --> 00:13:57,069 {\an1}- Oh, wait! People! 293 00:13:57,102 --> 00:13:58,637 hola! - Hola! 294 00:13:58,670 --> 00:14:00,973 {\an3}- Can you help us? No? Ens pots ajudar? 295 00:14:01,006 --> 00:14:02,174 - Why aren't they talking? 296 00:14:02,540 --> 00:14:04,243 {\an1}- Oh, they're extras. If they talk, 297 00:14:04,276 --> 00:14:05,878 {\an1}they make more money. - Oh. 298 00:14:05,911 --> 00:14:08,547 {\an1}- Uh, hi, hello. I'll talk to you guys. 299 00:14:11,650 --> 00:14:14,119 {\an1}(Glail): Holy shit! What the hell?! 300 00:14:14,152 --> 00:14:16,088 {\an1}Why'd you shoot him? - No ho sé. 301 00:14:16,121 --> 00:14:18,390 {\an1}I saw that gun in act 1, I felt like I should use it. 302 00:14:18,423 --> 00:14:20,993 {\an1}- Hm, Chekhov's gun. - Sí. - Sí. 303 00:14:21,026 --> 00:14:24,363 {\an1}(sighing): Well, we're lost somewhere between free will and determinism. 304 00:14:24,396 --> 00:14:26,298 {\an3}- Oh, God, what are you, Jean-Paul Sartre? 305 00:14:26,331 --> 00:14:30,035 {\an1}- Saps què? Potser we shouldn't worry about our characters dying. 306 00:14:30,068 --> 00:14:32,237 Maybe we want this show to end. 307 00:14:32,270 --> 00:14:36,141 {\an3}- Right, because then, then, we'd wake up and we'd just be ourselves, the actors. 308 00:14:36,174 --> 00:14:38,010 {\an1}- Uh-huh. I can go out for some better roles. 309 00:14:38,043 --> 00:14:39,511 - I could focus on my puppetry. 310 00:14:39,544 --> 00:14:42,648 {\an1}- Saps què? Let's finish this episode. 311 00:14:43,548 --> 00:14:44,616 - Let's finish this episode. 312 00:14:44,649 --> 00:14:45,584 - For luck! - For luck. 313 00:14:45,617 --> 00:14:46,652 {\an1}- Uh-huh. 314 00:14:47,319 --> 00:14:50,022 {\an1}(dramatic music) - There's the truck. 315 00:14:50,055 --> 00:14:52,658 {\an1}- Okay, uh, Charlotta, like, what if we don't blow the door off. 316 00:14:52,691 --> 00:14:57,329 {\an1}I mean, we don't have to do it. - I don't want to do it, but I feel like I have to, I... 317 00:14:57,362 --> 00:15:00,666 {\an1}- Ah, no, no, no! But we don't have to, Charlotta, we can not do it. 318 00:15:00,699 --> 00:15:02,534 Just... don't do it. - I'm not gonna hit it! 319 00:15:02,567 --> 00:15:04,603 I'm not gonna hit the switch - Don't do it, don't do it! 320 00:15:04,636 --> 00:15:05,604 Vinga! Vinga! 321 00:15:05,637 --> 00:15:07,673 (cridant) 322 00:15:10,342 --> 00:15:11,944 (soft moaning) 323 00:15:11,977 --> 00:15:13,578 - Glail. - Sí. 324 00:15:13,611 --> 00:15:17,449 {\an3}- I didn't even flip the switch. It blew up anyway. 325 00:15:17,482 --> 00:15:20,652 {\an1}- Maybe... it doesn't even matter. 326 00:15:20,685 --> 00:15:25,257 {\an1}Maybe... it was just meant... to be. 327 00:15:25,290 --> 00:15:28,193 (dramatic music) 328 00:15:41,506 --> 00:15:43,041 (alarm ringing) 329 00:15:43,074 --> 00:15:44,576 Ooh! - Oh, man. 330 00:15:44,609 --> 00:15:45,810 It was great working with you. 331 00:15:45,844 --> 00:15:48,347 {\an3}(British accent): Oh, va ser encantador. Absolutament encantador. 332 00:15:48,380 --> 00:15:49,982 - It's back to our lives. 333 00:15:50,015 --> 00:15:51,483 {\an3}- Oh, back to our families, and lives. 334 00:15:51,516 --> 00:15:52,951 {\an3}Oh, vols to keep in touch? 335 00:15:52,984 --> 00:15:55,988 {\an1}- Oh, I would love to. Sí. - I'll have my Steffi call your Steffi. 336 00:15:56,021 --> 00:15:57,022 - That would be great! 337 00:15:58,089 --> 00:16:03,028 {\an1}(ominous music) (softly): No. What's happening? 338 00:16:03,595 --> 00:16:05,564 {\an1}- Let us out! - Oh, please! Please, please! 339 00:16:05,597 --> 00:16:06,732 {\an1}Please let us out! - Ajuda! 340 00:16:06,765 --> 00:16:08,100 {\an1}- Please, please! 341 00:16:09,634 --> 00:16:11,670 {\an1}No, we're inside. 342 00:16:14,039 --> 00:16:16,108 (Charlie): Submitted for your approval: 343 00:16:16,141 --> 00:16:19,678 {\an1} two characters, trapped on the set of a show they can't escape. 344 00:16:19,711 --> 00:16:24,683 But when you think about it, aren't we all just actors in an underbudgeted episode? 345 00:16:24,716 --> 00:16:27,719 Food for thought, from Weird City. 346 00:16:27,752 --> 00:16:30,656 (música estranya) 347 00:16:32,724 --> 00:16:34,293 (cridant) 348 00:16:35,293 --> 00:16:38,063 {\an1}(panting): I just had... the craziest dream. 349 00:16:38,096 --> 00:16:39,598 - Jo també! 350 00:16:40,331 --> 00:16:43,468 (fairytale music) 351 00:16:43,501 --> 00:16:47,072 {\an1}(laughing): Look at this! - Oh, honey! 352 00:16:47,105 --> 00:16:49,141 (man, warped): This is amazing. 353 00:16:49,174 --> 00:16:51,076 {\an1}(couple, in small voices): Oh, my God! 354 00:16:51,109 --> 00:16:53,078 Helen, oh... 355 00:16:55,080 --> 00:16:56,615 It tastes like bubblegum. 356 00:16:57,182 --> 00:16:59,051 (គ្រាប់កាំភ្លើង) 357 00:17:00,151 --> 00:17:02,121 (thudding) 358 00:17:03,188 --> 00:17:07,059 (softly, echoing): Irmingblam. 359 00:17:07,092 --> 00:17:08,761 (clinking) 360 00:17:13,098 --> 00:17:16,468 (soft, '50s-style rock music) 361 00:17:17,702 --> 00:17:21,473 ♪ Don't you cry ♪ 362 00:17:21,506 --> 00:17:25,244 {\an8}♪ Ooh ooh ooh ♪ 363 00:17:29,247 --> 00:17:32,051 {\an8}♪ Ahh ♪ 364 00:17:32,584 --> 00:17:37,423 {\an8}♪ Please please don't you cry ♪ 365 00:17:39,524 --> 00:17:41,794 ♪ Ooh ooh ooh ♪ 366 00:17:43,528 --> 00:17:46,532 ♪ Ahh ♪